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AN INTERVIEW WITH Bin He, PRODUCER & DIRECTOR

  • As a filmmaker, please introduce yourself.

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    My name is Bin He. I am a film producer, director, cinematographer, and VFX artist. I am from 

    China.

  • I attended the Beijing Film Academy, majoring in screenwriting in the Department of 

    Literature. So, my first major was screenwriting. After graduating, I founded a media company, 

    Dream Team Media Inc. I produced China's first film and television professional social platform 

    and created scripts for thirty film and television production companies. Later, I pursued a bachelor's degree in film and television production

     at California State University – Northridge.

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  • Why you became a filmmaker as director and producer?

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    I began my journey in filmmaking as a screenwriter, drawn to the power of words and the 

    structure of storytelling.

  • As I immersed myself in the craft, I gradually developed a strong 

    interest in producing and directing—two roles that allow me to shape not just the story itself, but 

    how it's brought to life on screen. Storytelling has always been the most powerful way for me to 

    understand the world and connect with others. Directing allows me to bring a unique vision to 

    life, to shape performances, visuals, and tone in a way that captures emotion and provokes 

    thought. Producing, on the other hand, gives me the opportunity to build that vision from the 

    ground up—assembling the right team, finding the resources, and guiding a project from concept 

    to completion. 

    Ultimately, I chose both roles because I’m passionate about turning ideas into meaningful 

    cinematic experiences. Film is a collaborative art form that combines creativity, logistics, and 

    leadership—and I find deep fulfillment in balancing all those elements to tell stories that matter.

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    Give some more information about yourself and the films you have made so far, about your

    experience? 

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    I’m a filmmaker with a strong background in writing, directing, and producing narrative and 

    experimental films. Over the years, I’ve developed a deep appreciation for the entire filmmaking 

    process from conceptual development to final delivery—and I’ve had the privilege of working 

    on a wide range of projects, from short films to web series. 

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    One of my most recognized works is The Last President, a 15-minute sci-fi short film that 

    explores the collision of artificial intelligence and political power. In addition to winning the 

    Best Fiction Short and Best Student Film at the American Golden Picture International Film 

    Festival, the film has been officially selected by over 100 film festivals, received more than 50

    awards, and continues to garner international recognition. 

    In addition to that, I’ve produced and collaborated on award-winning films like Fete and 

    Bedsheet, which have received accolades at several respected festivals. I’ve also partnered with 

    Emmy-nominated professionals like Gabriela Ono, and worked closely with filmmakers such as 

    Luis Quijano, Andrii Lantukh, and Rodrigo Carvalhedo. 

    My experience spans multiple disciplines—including visual storytelling, editing, sound design, 

    and international festival submissions. I believe that a filmmaker should understand both the 

    artistic and technical sides of the craft, and I bring that philosophy to every project I take on. 

    Along the way, I’ve explored visual effects and photography—both of which have deepened my 

    appreciation for the technical and visual aspects of filmmaking. These creative interests in form 

    my work, but my core focus remains on producing and directing. I find the greatest fulfillment in 

    bringing stories to life through a balance of vision, collaboration, and execution—creating

    cinematic experiences that resonate with audiences on multiple levels.

  • What are the films or people that had impacts on you and deeply inspired you to become a

    filmmaker?
     

    Two films that had the most profound impact on me are Ghost and Avatar. Ghost was the first

    film that made me truly feel how deeply cinema can express love and loss. It wasn’t just a

    beautiful love story—it showed me how a film can touch the soul and move audiences on a

    spiritual level. Avatar, on the other hand, stunned me with its groundbreaking combination of

    cinematic technology and visual imagination. It opened my mind to the vast possibilities of

    future worlds, cultural conflict, and ecological balance. From that moment, I realized that cinema

    could not only move people emotionally but also expand humanity’s understanding of the

    unknown.

    Beyond film itself, some of today’s most visionary thinkers and tech leaders have also had a

    powerful influence on me—particularly Sam Altman. He is not only pushing the boundaries of

    technology but also reshaping how we think about artificial intelligence, the future of humanity,

    and interplanetary life. His bold ideas and actions continually inspire me to explore the evolving

    relationship between humans and technology, and to reflect those themes in my films. I’m also

    honored to have had the opportunity to engage with him through social media and technology

    investment forums.

  • It’s these works and individuals that ultimately inspired me to become a filmmaker—using

    cinema as a way to express my understanding of emotion, life, and the future.

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     You have made your film "The Last President" which got official selection in the

  • "American 

    Golden Picture International Film Festival”.

  • As a director, why you decided to make it?
     

    I created The Last President to explore a fundamental question: What happens when artificial

    intelligence becomes self-aware—before humanity does? It’s more than a sci-fi premise—it’s a

    reflection on consciousness, evolution, and the widening gap between technological power and

    human insight.

    I’ve always been intrigued by the idea of an “upgraded Earth”—a planet reshaped by AI, where

    outdated human consciousness may no longer belong. But once Earth is transformed, can it ever

    return to what it was? Who might survive in that world? Only the awakened few? Or do ordinary

    humans still stand a chance? These were the questions that drove my storytelling.

    At the same time, I began to question something deeper: Are there realms AI may never be able

    to reach? After all, artificial intelligence is born and built within a three-dimensional framework,

    evolving through logic and data. But can it ever truly access higher dimensions of existence?

    And perhaps more importantly—can humanity still prevail in the final confrontation, by drawing

    on something that technology can never replicate?

    This also led me to ask: Is modern technology replacing the innate abilities humans once

    possessed—but have largely forgotten—with increasingly magical tools? Maybe we’re not

    evolving, but outsourcing what once came from within.

    These questions aren’t just imaginative—they reflect the real dilemmas humanity may face in the

    near future. And I believe that’s one reason The Last President has resonated with so many

    festivals. So far, I’ve received invitations from over 1,000 film festivals, and that number

    continues to grow every week.

    I am especially honored that The Last President received Best Fiction Short and Best Student

    Film awards from the festival. It means a great deal to me and motivates me to keep creating

    thought-provoking work that challenges how we see the world—and ourselves.

  • What were some of the challenges you faced in making this specific film? 
     

    Serving as a director and producer, one of the biggest challenges I faced while making The Last 

    President was figuring out how to create a high-concept sci-fi film with virtually zero budget. I 

    had no financial backing, but I was fully committed to creating a short film that still felt 

    cinematic, intelligent, and emotionally resonant.

  • Every shot had to be meticulously planned. Striking the right balance between technical 

    execution and creative vision was incredibly demanding—but, surprisingly, also deeply 

    fulfilling. 

    Another major challenge was conveying complex themes—such as AI consciousness, political 

    collapse, and human evolution—within a tight 15-minute runtime. I had to be visually concise 

    and emotionally precise to ensure the story was immersive and thought-provoking, without 

    overwhelming or confusing the audience.
     

     

  • Let us more about your experience in this film? 
     

    The Last President was one of the most transformative creative experiences of my life. It wasn’t 

    just a short film—it was a full-scale challenge of storytelling, technology, and personal 

    endurance. It meant countless sleepless nights, steep learning curves, and constant 

    technical obstacles—but in return, I gained complete creative freedom. 

    Every single frame was carefully crafted. This forced me to be hyper-focused on every detail. I 

    also pushed the boundaries of visual language by blending live-action footage with digital effects 

    to better convey themes such as artificial intelligence, surveillance, and societal collapse. 

    Most importantly, this project taught me the value of persistence and resilience. It proved to me

    th at even with limited resources, if you’re fully committed and guided by a clear vision, you can 

    still create something powerful and meaningful. 

    To date, The Last President has received invitations from over 1,000 film festivals worldwide and

     was honored with Best Fiction Short and Best Student Film at the American Golden Picture 

    International Film Festival. This recognition means the world to me—and reinforces my belief in 

    the power of independent filmmaking.
     

     

  • The Crew member of your film supports the story in a very effective way.

  • What was it like to 

    work with them? 

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    In The Last President, I was fortunate to receive support at key moments from a few close 

    collaborators—particularly Xiaoyu Li, Xiaolu Ao from ULOOK PICTURES INC, and my friend 

    Xuetao Hu. They provided technical assistance with equipment, creative feedback, and much-

    needed encouragement during difficult moments. Even though their contributions were brief, 

    their support made a meaningful difference in keeping the project moving forward.

  • For you what was the biggest lesson you had to learn after making this film?
     

    For me, the most important lesson I learned after making The Last President is that limitations 

    are often the starting point of true innovation. Creating with almost no resources forced me to 

    think differently, solve problems creatively, and trust my instincts like never before. When you don’t have a budget, a team, or time, the only thing you can rely on is your vision. And if that vision is clear and strong enough, it can carry you through any obstacle.


  • What keeps you inspired to continue filmmaking?
     

    What keeps me inspired to continue filmmaking is the deep belief that cinema is not just 

    entertainment—it’s a form of awakening. Through film, we can explore the unknown, question 

    reality, and bridge cultures and generations. It’s one of the rare mediums that can express both 

    grand ideas and the most intimate human emotions. For me, it’s a bridge between the personal 

    and the universal. 

    I’m especially inspired by the rapid transformations happening in our world—technological 

    evolution, social shifts, and the profound questions humanity is beginning to face. Film allows 

    me to respond to these changes not just through logic or commentary, but through imagination 

    and emotion. 

    Every time someone tells me that a film I made moved them, challenged their perspective, or left 

    them thinking—it reaffirms my purpose. That moment of human connection, however brief, is 

    what fuels my passion and keeps me moving forward as a filmmaker.
     

    The most important part is distributing the film. What did you do for distributing your film 

    "The Last President”?
     

    I fully agree that the distribution and promotion of a film are just as important—if not more 

    important—than its production. To continue to carry out my producer duties, my main strategy 

    was to build visibility and credibility through the international film festival circuit. I submitted 

    the film to a wide range of festivals—sci-fi, student, independent, and experimental—and it was 

    quickly selected by hundreds of them. 

    To date, The Last President has been invited by over 1,000 film festivals worldwide and has won 

    dozens of awards, including Best Fiction Short and Best Student Film at the American Golden 

    Picture International Film Festival. 

    The short has also been screened in Los Angeles, New York, San Diego, Atlanta, Cocoa Beach

    (Florida), Chicago, Austin, Tucson, Warwick, Budapest, Rome, Milan, Paris, Cannes, Vancouver, 

    Ontario and Quebec (Canada), Maharashtra, Puducherry, West Bengal, Tamil Nadu, and Kolkata

    (India), O'Higgins (Chile), Dolj County (Romania), Athens (Greece), Old Town Swindon and 

    Standish (UK), Norrbotten County (Sweden), Bangkok, Pattaya (Thailand), Barcelona, and 

    North Rhine-Westphalia (Germany)—among many other cities and regions across dozens of 

    countries. Its global reach continues to expand. 

    To boost international exposure, I relied primarily on platforms like FilmFreeway to manage 

    submissions and discover global festivals. These tools allowed me to connect more efficiently

  • with curators, programmers, and audiences—creating more opportunities for the film to be seen, 

    discussed, and appreciated.

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    What are your filmmaking goals? 

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    My filmmaking goals fall into two main areas: telling stories that awaken consciousness and 

    transforming how films are made through innovation. 

    Ultimately, I want to create work that is both intellectually engaging and visually powerful—and 

    to inspire other creators to believe that cinema is no longer just a game for big studios, but a 

    frontier open to anyone with vision and courage.

    13- What is your next project? 

    My next project is a sci-fi short film titled 3996. It explores what happens when a forgotten artist

    from 2032, erased from reality by an experimental thought-based technology, wakes up in the 

    year 3996. There, he encounters a mysterious woman and a world governed by programmable 

    universes, where humanity’s consciousness has evolved beyond physical form—but not without

    consequences.

    3996 is a meditation on memory, identity, and the price of progress. It blends visual poetry with

    speculative futurism and continues my exploration of themes like artificial intelligence,

    dimensionality, and the limits of human perception. I plan to push the boundaries of visual

    effects and storytelling even further in this film.

 

GOOD LUCK Bin

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Website:​

https://www.imdb.com/name/nm3714447/

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